Monthly Archives: October 2013

STC4037A ‘The Stick’ ! (1955- late 1970s)

STC4037A

After years of lugging around the mighty (heavy & cumbersome) STC4017, BBC outside broadcasters must have been absolutely delighted, in the mid-1950s, by the arrival of the 4037! Designed specifically for the burgeoning new medium of television, the STC4037 was a triumph of British understatement! Even by modern standards it is light (260g) and well-balanced, and its slender, tapered, profile feels very comfortable in the hand. Also the black shrivel enamel finish is non-reflective under TV lighting. The 4037 was so beautifully minimal and unobtrusive (and black) that it soon became affectionately known as ‘The Stick’. ‘The Stick’ came in 2 sizes, the 21.3cm long version, the STC4037A, and the shorter 13.6cm STC4037C. The short version had slightly less bass response but was extremely unobtrusive, all but disappearing in the presenter’s hand.

A couple of TV clips from the 1960s featuring the STC4037  :-

Gwyn Thomas talks to Alan Whicker about the Chip Crisis

A great Liverpool band The Undertakers with 4037 on vocals 

The original box arrived a wee bit bruised and battered!

The original box arrived a wee bit bruised and battered!

STC4037A with 4069A connector and stand adapter

STC4069A connector and  PAS45/14 stand adapter

STC4037A Base of mic

3 pin connector on base of mic

STC4069A Connector

STC4069A Connector

 STC4037A Grill STC4037 Brochure 1961

Click Here For Short Sound Clip.

Meanwhile here is another couple of suggested uses!!

STC4037A the perfect kit overhead!

Crisp snare, nice fat toms, and smooth detailed cymbals, and so much bottom end that the kick mic was nearly redundant! Job done!

Here is a short live clip of this kit with the 4037 as pictured.

Also tasty on double bass!

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BBC Engineer Recommends ORTF!

Some years ago a colleague of mine was given a useful piece of advice by an elderly ex- BBC engineer…….. When preparing to record an orchestral concert, if setup time is in short supply, the simplest and safest choice of microphone assembly is an ORTF pair, which can be guaranteed to give good results in almost any situation.

Recently I have had cause to test this theory, with only a 15 minute ‘window’ in which to set up mics and no proper sound check!!

Oktava MK012s set as ORTF pair ready to go on a tall stand behind the conductor.

Viewed upside down,Oktava MK012 cardioids set as ORTF pair ready to go on a tall stand behind the conductor, angled downwards to point towards the woodwind.

And so……………. was our old chum from the BBC right?

Here is a clip from the concert.