The danger in buying an Extinct Audio BM9 ribbon microphone is that very soon you will want a stereo pair! When Stewart Tavener at Extinct offered to lend me a second one to ‘try’ he knew exactly what would happen! ( Yorkshire cunning!) It didn’t take long before I hit the PayPal button. So I now have a beautiful matched pair!
The mics are coincidentally mounted, vertically one above the other and set at 90 degrees. (Classic Blumlein) I have used Rycote InVision 044901 Universal Shock Mounts as these make it really fast and easy to position the mics. They also provide the best possible isolation, and there is no chance of the mics falling out! The magnets in these microphones are seriously heavy and would make a considerable impression landing on the performer’s head!
The recording clip below of saxophone virtuoso Lydia Kenny would present a considerable challenge for any pair of microphones. The dynamic range is huge. It is packed with fine detail of tone and texture, from the delicate phrasing of the piano accompaniment to the rapid articulation of the blistering runs on the saxophone at full volume. The way that the acoustics of the hall support the music is also very subtle.
Having worked a great deal with jazz and rock ‘n’ roll over the years I had never previously been a fan of classical saxophone, but this excerpt from Lydia’s performance of ‘Fantasie’ by Jules Demersseman is quite simply an irresistible tour de force of 19th century technique and musicality. Demersseman was a friend of the inventor Adolphe Sax and the piece was published by Sax.
Pittville Pump Room in Cheltenham (UK) had its heyday in the mid-19th century and its spacious acoustic and glorious Regency architecture is the perfect setting for this recording. The Extinct Audio BM9 crossed stereo pair flown below the chandelier also look very cool!!
CLICK ON PIC to listen
Lydia Kenny is the winner of Gloucestershire Young Musician of the Year 2018