The danger in buying an Extinct Audio BM9 ribbon microphone is that very soon you will want a stereo pair! When Stewart Tavener at Extinct offered to lend me a second one to ‘try’ he knew exactly what would happen! ( Yorkshire cunning!) It didn’t take long before I hit the PayPal button. So I now have a beautiful matched pair!
The mics are coincidentally mounted, vertically one above the other and set at 90 degrees. (Classic Blumlein) I have used Rycote InVision 044901 Universal Shock Mounts as these make it really fast and easy to position the mics. They also provide the best possible isolation, and there is no chance of the mics falling out! The magnets in these microphones are seriously heavy and would make a considerable impression landing on the performer’s head!
The recording clip below of saxophone virtuoso Lydia Kenny would present a considerable challenge for any pair of microphones. The dynamic range is huge. It is packed with fine detail of tone and texture, from the delicate phrasing of the piano accompaniment to the rapid articulation of the blistering runs on the saxophone at full volume. The way that the acoustics of the hall support the music is also very subtle.
Having worked a great deal with jazz and rock ‘n’ roll over the years I had never previously been a fan of classical saxophone, but this excerpt from Lydia’s performance of ‘Fantasie’ by Jules Demersseman is quite simply an irresistible tour de force of 19th century technique and musicality. Demersseman was a friend of the inventor Adolphe Sax and the piece was published by Sax.
Pittville Pump Room in Cheltenham (UK) had its heyday in the mid-19th century and its spacious acoustic and glorious Regency architecture is the perfect setting for this recording. The Extinct Audio BM9 crossed stereo pair flown below the chandelier also look very cool!!
CLICK ON PICS to listen
Lydia Kenny Alto Saxophone accompanied by Damian Kenny Piano.
Lydia Kenny is the winner of Gloucestershire Young Musician of the Year 2018
UPDATE. Nov 18th 2018.
Clip from winner’s concert.
Posted in Extinct Audio, Extinct Audio BM9, Microphone techniques Ancient & Modern, New Microphones, Recording in stereo, Ribbon Microphones, Stereo Microphone Techniques, Stereo Pair, Uncategorized
Tagged Extinct Audio, EXTINCT AUDIO’S BM9 RIBBON MICROPHONE, Ribbon microphone, Stereo classical recording
The English county of Yorkshire has a long and illustrious history of steel manufacturing and precision engineering. Based in York, Extinct Audio are an enthusiastic new company offering beautiful, high quality, hand-built ribbon microphones. ...
Although the design and styling of The Viking, Extinct Audio’s BM9 pays tribute to the legendary Danish ribbon microphones of the 1950’s and 60’s, it has a unique British character and tone all of its own. The transformers are hand wound at the workshop in York and the ribbons are individually fitted and tuned by Dr Stewart Tavener who has more than a decade of experience restoring and repairing 1,000s of vintage ribbon microphones. The Viking also features an extremely strong magnetic field, giving high output and low noise.
My own microphone collection divides up into 4 distinct categories:-
- Microphones with historic significance or a special place in the development of audio technology; e.g. Marconi-Reisz, STC4017.
- Microphones which are good for particular purposes; e.g. AKG D112, Sennheiser e945.
- ‘Oooo shiny!’ Microphones purchased for no good reason other than they look cool! (Though occasionally they turn out to be useful!) E.g. Electro-Voice EV664, EV644.
- Serious workhorse microphones that will produce fantastic results in a wide range of situations; e.g. AKG C414, Oktava MK-012.
I must confess that when I opened that gorgeous wooden Viking box my instinctive reaction was category 3……. ‘Oooo shiny!’ The nickel finish on these mics is superb. They really look and feel great.
Over the last few weeks I have had a number of recording opportunities to try out The Viking on a range of acoustic instruments. Here below are links to a selection of sound clips from these sessions.
CLICK ON EACH to listen.
- Vocal and Tenor Saxophone. Peter Gill and Edi May.
- National Steel Guitar and Vocal. Pete Atkin.
- Anglo Saxon Lyre. Andrew Glover-Whitley.
- Chinese Walking Stick Flute. Andrew Glover-Whitley.
- Breton Bombard. Andrew Glover-Whitley. (blowing this thing can lead to burst blood vessels!)
- Rock Flute. Andrew Glover-Whitley.
- Tenor Saxophone. Edi May.
The Viking, Extinct Audio’s BM9 is a superb, hand built, ribbon microphone, in the finest tradition of Yorkshire craftsmanship and engineering. It produces an extraordinary level of fine detail. The low end is rich and full. It is a joy to work with and has definitely joined category 4 in my collection……… though I still can’t help going ‘Oooo shiny’ every time I open the lid of the box!
For more information about Extinct Audio visit: – https://www.extinctaudio.co.uk/microphones/
P.S. Buying a Stereo pair was inevitable!
Custom mount under construction. using a pair of Rycote Universal Shock Mounts.